UFO
UFO is not a university in a traditional sense—or in any sense. It is a model, continuously revising what a university is or could be. Its goal is to act as a transformative vehicle, capable of moving through impossible spaces and concepts. It operates with complexity, computation, dynamics, ontology, and intelligence, which form the bedrock of the transformative formations that emerge through its behavior and characteristics.
We are living in a time when existing structures and organizations are being stripped down. Their true face is exposed: a lack of care for humanity at their core, built entirely on power and struggle. Our task begins with recognizing this, and understanding ourselves as a force capable of transforming struggle into a different kind of power.
We have, historically, given our power away to a small few. But that no longer makes sense—these figures no longer carry any real organizational value. What is emerging is the possibility for any character to rise into such positions. Not the same positions, but new configurations—new forms. This opens up a global scale of resistance, because the mediatory connections that once held power in place are dissolving through the mutation of existing structures. Not their total destruction, but a selective removal and addition—a mutation that turns them into something far more horrible.
I'm a paragraph. Click here to add your own text and edit me. It's easy.
Machine Mourning: Beyond The Void Of Extractive Listening
Daria Kozlova and Arwina Afsharnejad
Under the scorching sun on the top of the melting AI iceberg Grimes peacefully reads Communist Manifesto to David Guetta deepfaking Eminem’s vocals. Google guru Ray Kurzweil floats by on a drifting ice floe. Kurzweil is waving hello and continuing a lively conversation with the AI-reincarnated double of his decedent father. Only distant twitter of stochastic parrots “haphazardly stitching together sequences of linguistic forms” interferes with sonic idyll. But what lies beneath this pastoral landscape? What secrets hide the murky waters of machine listening? And most important – who’s voice will be heard and who’s overwhelmed by the deep sea of data?
In “Machine Mourning”, an interactive sonic-focused experience, based on sound datasets trained with artists’ own voices, Arwina Afsharnejad and Daria Kozlova critically examine the entanglement between internet culture, pop music, digital media, military technologies, surveillance apparatus and audio data extractivism. The sci-fi plot of “Machine Mourning” unfolds at the opera premiere staged in the immersive digital environment simulating a melting glacier. Investigating the silent violence of extractive listening Arwina and Daria attempt to raise concerns about the shift from comprehension to operation and explore its implications for the subjectivity of human and non-human agents.
The interdisciplinary research which formed the basis of “Machine Mourning” traces the trajectory of machine listening development from an early history marked by class inequality and bias of different nature to current extractivist practices characterised by tech behemoths’ ambitions to compute every conceivable sound. It analyses the artistic and scholarly practices of the Forensic Architecture group, Hito Steyerl, Machine Listening collective, Mark Andrejevic and Timnit Gebru among others.
In the presentation, Arwina and Daria will share details of the research, the latest updates of the “Machine Mourning” development, and invite to imagine collectively the depth of extractive listening pushing back from the bottom together in order to emerge beyond the void of overpowering machine learning.